Photography Blog
Eden Valley Artistic Network (EVAN) Gallery and Studios, Penrith, Cumbria
A fascinating chat with Ruth Wharton at her exhibition in EVAN Gallery and Studios, it’s always good to discuss outside one’s own genre. She’s a licensed handler of explosives precursors and poisons (EPP), which means she can handle the materials required for etchings, such as Nitric Acid. Her exhibition features a number of etching techniques: aquatint, photogravure as well as direct etching, ie scratching the plate. Her results are intriguingly different to much of the art which you see around at galleries. To my eye, Ruth Wharton’s images are more intense and maybe more engaging. There is also a slight 3D effect from the thickness of the ink layer on the paper, particularly noticeable with the small size of the etchings she’s exhibiting. My photo shows only one of her many displays; Ruth’s exhibition takes the whole of Gallery 4A, with the ceramics of Rebecca Callis. As well as etchings, Ruth Wharton is also showing a couple of panels of photographs, nicely catching the personalities of the people she features, printed to black and white and mostly quite small prints.
Rewarding trek to the London Lighthouse gallery to enjoy GPN’s latest annual photography exhibition. A diverse show of prints, videos and slide shows by photographers of the GPN, the Gay Photographers Network. There’s no overall theme to the exhibition, all the images are intensely personal with a refreshing absence of group-think.
I have fond memories of the GPN meeting in March 2020, which was the last organised event I participated in before everything stopped. Great news that GPN has re-emerged and with a strong exhibition.
Read more: GPN Exhibition 2021 at London Lighthouse Gallery, E14
My reworking of the exhibition’s poster with screengrabs of some of the artists from the guided walkaround
AndroTechne present their debut digital exhibition this autumn in a three dimensional online virtual space of three connected rooms, each having a different theme and feel. The advanced technology creating the virtual exhibition space makes it possible to “walk” around the exhibition, stop and browse where you feel you wish to. Meanwhile some exhibits animate and some play music. This gives quite the best integrated feel to media such as video or abstract virtual images along with traditional paint and flat images. There’s immediately a “wow!” factor, the technology is not off-puttingly clunky and it presents well this exhibition which is very rich in ideas and innovation.
Read more: Between the Waves: AndroTechne at Kunstmatrix 3D gallery
Marilyn diptych (1962) by Andy Warhol at Tate Modern, London
The “Pope of Pop Art” at London’s cathedral of modern Art: full size Andy Warhol exhibition at the Tate Modern.
My photo set “Eleven and Eighteen” on display in the Photo Fringe 2020 exhibition, based in Brighton. My set is occasionally on their front page, which displays a selection of contributions in a seemingly random order. Refresh and reload (on their site) to change the selection.
- Photo Fringe 2020
- “Eleven and Eighteen” in the Photo Fringe 2020 exhibition
- Eleven and Eighteen, the original posting on my blog
#photofringe #photofringe2020
