I use photography to show something about where I’ve been or people whom I’ve met. As well as trying to see the beauty in a scene or situation, I’m also trying to convey ideas and feelings. My photography is about me and what I do, who I meet and where I go. All my photography tries to contemporary and creative. I’m resistant to being fitted in to a taxonomy by categorisation such as “travel” or “conceptual” or “nature”. All image-making is political simply by the act of selection and hence exclusion but I am not campaigning for any particular point of view, except to try to see the positives and to live life to the full.
I use 645, 35mm and DX formats plus a handy little digital compact that shoots RAW files. I’ve experimented with non-lens photography - do ask!
I first worked in a monochrome/silver wet darkroom at age 7, helping my Father with scientific prints; I’ve used colour negative materials since age 21 and digital since 2005. I use Photoshop (Adobe) and Photopaint (Corel).
I love looking up at the sky through trees and dreaming. This is a London Plane tree in a Hammersmith park, there are some Willows in the distance. Autumn is clearly here and a view like this is heartening in itself but also a reminder of a post-pradial summer afternoon in a Mediterranean heatwave looking up at the burning sun through a Corsican Pine. Dream on...
Midday in Cours Julien, Marseille in the Quartier des Créatives. So no surprise to see a street art in construction. The artist is working from his iPhone but otherwise he’s painting direct on the base layer he’s prepared on the wall. No prolem with taking a photo but he didn’t want to talk and didn’t leave an obvious tag of his or name signature when he had finished. A long way from the (necessarily?) furtive activities of UK street artists.
Update: the artwork now appears to have been completed with Gilbert Marseille #sylh as attribution. My dictionary gives #sylh meaning Support Your Local Hellhounds
Order and disorder in one street in Brighton. The parallel worlds continue to the edge of the shot. Contrasting the geometrical regularity of the architecture with the fluidic anarchy of the street art. This is Oxford Place, Brighton.