Concrete Circus was guerrilla television at its best. Director Mike Christie’s feature-length documentary was shown as part of Channel 4’s Street Summer. The film challenged four outstanding urban athletes and their producer/directors to make new films in the UK to follow their viral video successes.
We visited “The Cartoon Museum” in London's Bloomsbury, it’s a private museum on a far far smaller scale than the fabulous British Museum nearby. It concentrates on UK graphic art and comics and they have a good representative collection of British cartoon art from Hogarth onwards to Doctor Who and recent political cartoons.
An exhibition of some works of Vanessa Bell and Duncan Grant at Brighton Museum & Art Gallery. These artists were part of the group known as the Bloomsbury Group who had served as conscientious objectors on Sussex farms during World War One; they stayed on in Sussex to set up the delightful Charleston Farmhouse whilst contributing designs to the Omega workshops in London as well as creating their individual pieces.
Gemeentemuseum Den Haag presented two special exhibitions: paintings of the Belgian Expressionist James Ensor and also photographs, photograms and short films of László Moholy-Nagy, a Hungarian of the Bauhaus school in Germany.
As well as a survey of James Ensor's paintings, drawings and masks, the museum showed a special presentation re-enacting one of the exhibitions of "Les XX" (The Twenty), the group of artists who showed impressionist works not accepted for the mainstream salons of their time. Thus we saw in a single room, a fascinating line of pictures by Monet, van Gogh, and other Impressionists as well as James Ensor.
I spent much of the past weekend scanning with a bulk scanner prints from my albums of A4 prints. That's cleared a lot of shelf space so my living area is less cluttered. It's also made my archive far more retrievable than the paper prints had become: it's easier to search on the computer than to leaf through albums. Reviewing the prints myself as they were loaded in to the scanner's feed tray for semi-automatic processing was also an interesting process of self-(re)assessment.
I'm about half way through the pile of pre-digital prints, and that's just my pictures which I thought worth printing large at the time. What I do with this archive is a completely different question... No answers yet myself but I feel there's a lot of good work there which isn't currently getting aired, constructive suggestions welcome. But entirely concentrating on past work risks being an archivist more than a photographer.